And if you pay attention, those ideas also lie beneath Kosinski’s beautiful, tragic, real-life firefighting drama Only the Brave (2017), in which nature is personified as an all-powerful entity against whom our heroes engaged in doomed struggle.Īll of these films did okay business, but now with the visually striking and surprisingly moving Maverick raking in money and getting glowing reviews, the director has finally taken off - just in time for his new feature, Spiderhead, a futuristic prison thriller starring Miles Teller, Chris Hemsworth, and Jurnee Smollett that hits theaters and Netflix on June 17. Both films were marked by their melancholy atmosphere and the way Kosinski uses their immense, desolate spaces to tell stories of characters fighting mysterious, godlike powers. Many of us also adore his moody sci-fi thriller Oblivion (2012), starring Tom Cruise as a soldier in the distant future protecting an empty, devastated Earth many critics were unimpressed. For some of us, his debut feature, 2010’s Tron: Legacy, is one of the most visually and sonically arresting pictures of recent years to others, it was empty spectacle. Despite making pretty big movies, Top Gun: Maverick director Joseph Kosinski could probably be considered a cult filmmaker.
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